When I open the New Yorker, I'm always delighted to find anything by David Sedaris or Calvin Trillin. Last night, I found myself laughing aloud at Sedaris' latest piece, "Laugh, Kookaburra." I admire his work so much.
Much other humor in the New Yorker, I'm embarrassed to say, often leaves me scratching my head. Maybe there is some kind of East vs. West difference in what is funny. Sometimes I'll read one of the short "humor" essays in the magazine, and I'll be simply stunned at the un-funniness of it.
Similarly, I generally don't spend much time with the cartoons. I know, I know--the New Yorker is known for its cartoons, and, of course, I have often seen cartoons I appreciated, loved, and/or even cut out and posted on my bulletin board. But all too often, I'll look at a cartoon and think, "Huh?" Either I'll "get" it and not think it's funny, or I won't have any idea at all why it's supposed to be funny.
Maybe that's why one of my favorite Seinfeld episodes involves Elaine not getting a New Yorker cartoon and becoming obsessed with trying to figure out what's funny about it. She even goes to the New Yorker offices, demanding an explanation, only to find that the editor didn't get it either and just "liked the kitty."
Instead of seriously questioning my sense of humor, I prefer to imagine that there are many jokes printed because someone just "liked the kitty."






